Littérature anglophone | Britannique et américaine

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1984 | George Orwell

• Leçon 1 | Introduction et analyse des premières lignes
• ​Leçon 2 | Language in 1984 and The Concept of Newspeak
• ​Leçon 3 | Activités et documents complémentaires

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The Fall of The House of Usher | Edgar Allan Poe

• Introduction | Introduction to Edgar Alan Poe’s Works and American Dark-Romanticism
• Lesson 1 |​ The House of Melancholy - Analyse de la scène d'ouverture 
• ​Lesson 2 | Introducing the Usher Family   
• ​Lesson 3 | The Symbolism of the House
• Lesson 4 | A Portrait of Roderick Usher
• ​Lesson 5 | Lady Madeline - Character Analysis
• Lesson 6 | Understanding of the Ending and Interpretations​

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Of Mice and Men | John Steinbeck

​​​Historical Context (American Civilization)

• Historical Context | The Great Depression​​
• Historical Context | The Dust Bowl​​​
• ​Historical Context | Migrant Mother - Photograph by Dorothea Lange (1936)

English Language and Linguistics

• Langue relâchée | Descriptive ​and prescriptive grammar, Standard and Nonstandard English, Steinbeck's English.

English Phonology

• Strong and Weak Forms | Les formes pleines et réduites des mots grammaticaux - Leçon 1
• ​Strong and Weak Forms | Les formes pleines et réduites des mots grammaticaux - Leçon 2

Part One (Literature)

• ​Lesson 1 | Introducing the main characters.
• Lesson 2 | The relationship between George and Lennie

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Shutter Island | Martin Scorsese
Symbolism, Cinematography, Foreshadowing

• Introduction | Leonardo Dicaprio (avec révisions prétérit, present perfect simple et phonologie)
  
• Shutter Island | Part one - The Opening Scene (Book and film extracts)
• Shutter Island | Part two - Dolores and George Noyce  (Book and film extracts)
• Shutter Island | Part three - The Twist (book and film extracts) - (à venir)
• Shutter Island | Analysis - Symbolism, Cinematography, Foreshadowing

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 In Cold Blood | Truman Capote

Introduction | Background information (novel and film adaptations)

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Lolita | Vladimir Nabokov

Lolita | Introduction and analysis of chapter 1 and chapter 3